Two Hearts Page 2

  I didn't think I'd made any noise, but the man raised his voice a little, not looking at me, not lifting his head, and he said, “Child, there's food here.” First I couldn't move, I was so frightened. He couldn't have seen me through the brush and all the alder trees. And then I started remembering how hungry I was, and I started toward them without knowing I was doing it. I actually looked down at my feet and watched them moving like somebody else's feet, as though they were the hungry ones, only they had to have me take them to the food. The man and the woman stood very still and waited for me.

  Close to, the woman looked younger than her voice, and the tall man looked older. No, that isn't it, that's not what I mean. She wasn't young at all, but the gray hair made her face younger, and she held herself really straight, like the lady who comes when people in our village are having babies. She holds her face all stiff too, that one, and I don't like her much. This woman's face wasn't beautiful, I suppose, but it was a face you'd want to snuggle up to on a cold night. That's the best I know how to say it.

  The man ... one minute he looked younger than my father, and the next he'd be looking older than anybody I ever saw, older than people are supposed to be, maybe. He didn't have any gray hair himself, but he did have a lot of lines, but that's not what I'm talking about either. It was the eyes. His eyes were green, green, green, not like grass, not like emeralds—I saw an emerald once, a gypsy woman showed me—and not anything like apples or limes or such stuff. Maybe like the ocean, except I've never seen the ocean, so I don't know. If you go deep enough into the woods (not the Midwood, of course not, but any other sort of woods), sooner or later you'll always come to a place where even the shadows are green, and that's the way his eyes were. I was afraid of his eyes at first.

  The woman gave me a peach and watched me bite into it, too hungry to thank her. She asked me, “Girl, what are you doing here? Are you lost?"

  "No, I'm not,” I mumbled with my mouth full. “I just don't know where I am, that's different.” They both laughed, but it wasn't a mean, making-fun laugh. I told them, “My name's Sooz, and I have to see the king. He lives somewhere right nearby, doesn't he?"

  They looked at each other. I couldn't tell what they were thinking, but the tall man raised his eyebrows, and the woman shook her head a bit, slowly. They looked at each other for a long time, until the woman said, “Well, not nearby, but not so very far, either. We were bound on our way to visit him ourselves."

  "Good,” I said. “Oh, good.” I was trying to sound as grown-up as they were, but it was hard, because I was so happy to find out that they could take me to the king. I said, “I'll go along with you, then."

  The woman was against it before I got the first words out. She said to the tall man, “No, we couldn't. We don't know how things are.” She looked sad about it, but she looked firm, too. She said, “Girl, it's not you worries me. The king is a good man, and an old friend, but it has been a long time, and kings change. Even more than other people, kings change."

  "I have to see him,” I said. “You go on, then. I'm not going home until I see him.” I finished the peach, and the man handed me a chunk of dried fish and smiled at the woman as I tore into it. He said quietly to her, “It seems to me that you and I both remember asking to be taken along on a quest. I can't speak for you, but I begged."

  But the woman wouldn't let up. “We could be bringing her into great peril. You can't take the chance, it isn't right!"

  He began to answer her, but I interrupted—my mother would have slapped me halfway across the kitchen. I shouted at them, “I'm coming from great peril. There's a griffin nested in the Midwood, and he's eaten Jehane and Louli and—and my Felicitas—” and then I did start weeping, and I didn't care. I just stood there and shook and wailed, and dropped the dried fish. I tried to pick it up, still crying so hard I couldn't see it, but the woman stopped me and gave me her scarf to dry my eyes and blow my nose. It smelled nice.

  "Child,” the tall man kept saying, “child, don't take on so, we didn't know about the griffin.” The woman was holding me against her side, smoothing my hair and glaring at him as though it was his fault that I was howling like that. She said, “Of course we'll take you with us, girl dear—there, never mind, of course we will. That's a fearful matter, a griffin, but the king will know what to do about it. The king eats griffins for breakfast snacks—spreads them on toast with orange marmalade and gobbles them up, I promise you.” And so on, being silly, but making me feel better, while the man went on pleading with me not to cry. I finally stopped when he pulled a big red handkerchief out of his pocket, twisted and knotted it into a bird-shape, and made it fly away. Uncle Ambrose does tricks with coins and shells, but he can't do anything like that.

  His name was Schmendrick, which I still think is the funniest name I've heard in my life. The woman's name was Molly Grue. We didn't leave right away, because of the horses, but made camp where we were instead. I was waiting for the man, Schmendrick, to do it by magic, but he only built a fire, set out their blankets, and drew water from the stream like anyone else, while she hobbled the horses and put them to graze. I gathered firewood.

  The woman, Molly, told me that the king's name was Lir, and that they had known him when he was a very young man, before he became king. “He is a true hero,” she said, “a dragonslayer, a giantkiller, a rescuer of maidens, a solver of impossible riddles. He may be the greatest hero of all, because he's a good man as well. They aren't always."

  "But you didn't want me to meet him,” I said. “Why was that?"

  Molly sighed. We were sitting under a tree, watching the sun go down, and she was brushing things out of my hair. She said, “He's old now. Schmendrick has trouble with time—I'll tell you why one day, it's a long story—and he doesn't understand that Lir may no longer be the man he was. It could be a sad reunion.” She started braiding my hair around my head, so it wouldn't get in the way. “I've had an unhappy feeling about this journey from the beginning, Sooz. But he took a notion that Lir needed us, so here we are. You can't argue with him when he gets like that."

  "A good wife isn't supposed to argue with her husband,” I said. “My mother says you wait until he goes out, or he's asleep, and then you do what you want."

  Molly laughed, that rich, funny sound of hers, like a kind of deep gurgle. “Sooz, I've only known you a few hours, but I'd bet every penny I've got right now—aye, and all of Schmendrick's too—that you'll be arguing on your wedding night with whomever you marry. Anyway, Schmendrick and I aren't married. We're together, that's all. We've been together quite a long while."

  "Oh,” I said. I didn't know any people who were together like that, not the way she said it. “Well, you look married. You sort of do."

  Molly's face didn't change, but she put an arm around my shoulders and hugged me close for a moment. She whispered in my ear, “I wouldn't marry him if he were the last man in the world. He eats wild radishes in bed. Crunch, crunch, crunch, all night—crunch, crunch, crunch.” I giggled, and the tall man looked over at us from where he was washing a pan in the stream. The last of the sunlight was on him, and those green eyes were bright as new leaves. One of them winked at me, and I felt it, the way you feel a tiny breeze on your skin when it's hot. Then he went back to scrubbing the pan.

  "Will it take us long to reach the king?” I asked her. “You said he didn't live too far, and I'm scared the griffin will eat somebody else while I'm gone. I need to be home."

  Molly finished with my hair and gave it a gentle tug in back to bring my head up and make me look straight into her eyes. They were as gray as Schmendrick's were green, and I already knew that they turned darker or lighter gray depending on her mood. “What do you expect to happen when you meet King Lir, Sooz?” she asked me right back. “What did you have in mind when you set off to find him?"

  I was surprised. “Well, I'm going to get him to come back to my village with me. All those knights he keeps sending aren't doing any good at all, so he'll just have to take
care of that griffin himself. He's the king. It's his job."

  "Yes,” Molly said, but she said it so softly I could barely hear her. She patted my arm once, lightly, and then she got up and walked away to sit by herself near the fire. She made it look as though she was banking the fire, but she wasn't really.

  We started out early the next morning. Molly had me in front of her on her horse for a time, but by and by Schmendrick took me up on his, to spare the other one's sore foot. He was more comfortable to lean against than I'd expected—bony in some places, nice and springy in others. He didn't talk much, but he sang a lot as we went along, sometimes in languages I couldn't make out a word of, sometimes making up silly songs to make me laugh, like this one:

  Soozli, Soozli,

  speaking loozli,

  you disturb my oozli-goozli.

  Soozli, Soozli,

  would you choozli

  to become my squoozli-squoozli?

  He didn't do anything magic, except maybe once, when a crow kept diving at the horse—out of meanness; that's all, there wasn't a nest anywhere—making the poor thing dance and shy and skitter until I almost fell off. Schmendrick finally turned in the saddle and looked at it, and the next minute a hawk came swooping out of nowhere and chased that crow screaming into a thornbush where the hawk couldn't follow. I guess that was magic.

  It was actually pretty country we were passing through, once we got onto the proper road. Trees, meadows, little soft valleys, hillsides covered with wildflowers I didn't know. You could see they got a lot more rain here than we do where I live. It's a good thing sheep don't need grazing, the way cows do. They'll go where the goats go, and goats will go anywhere. We're like that in my village, we have to be. But I liked this land better.

  Schmendrick told me it hadn't always been like that. “Before Lir, this was all barren desert where nothing grew—nothing, Sooz. It was said that the country was under a curse, and in a way it was, but I'll tell you about that another time.” People always say that when you're a child, and I hate it. “But Lir changed everything. The land was so glad to see him that it began blooming and blossoming the moment he became king, and it has done so ever since. Except poor Hagsgate, but that's another story too.” His voice got slower and deeper when he talked about Hagsgate, as though he weren't talking to me.

  I twisted my neck around to look up at him. “Do you think King Lir will come back with me and kill that griffin? I think Molly thinks he won't, because he's so old.” I hadn't known I was worried about that until I actually said it.

  "Why, of course he will, girl.” Schmendrick winked at me again. “He never could resist the plea of a maiden in distress, the more difficult and dangerous the deed, the better. If he did not spur to your village's aid himself at the first call, it was surely because he was engaged on some other heroic venture. I'm as certain as I can be that as soon as you make your request—remember to curtsey properly—he'll snatch up his great sword and spear, whisk you up to his saddlebow, and be off after your griffin with the road smoking behind him. Young or old, that's always been his way.” He rumpled my hair in the back. “Molly overworries. That's her way. We are who we are."

  "What's a curtsey?” I asked him. I know now, because Molly showed me, but I didn't then. He didn't laugh, except with his eyes, then gestured for me to face forward again as he went back to singing.

  Soozli, Soozli,

  you amuse me,

  right down to my solesli-shoesli.

  Soozli, Soozli,

  I bring newsli—

  we could wed next stewsli-Tuesli.

  I learned that the king had lived in a castle on a cliff by the sea when he was young, less than a day's journey from Hagsgate, but it fell down—Schmendrick wouldn't tell me how—so he built a new one somewhere else. I was sorry about that, because I've never seen the sea, and I've always wanted to, and I still haven't. But I'd never seen a castle, either, so there was that. I leaned back against his chest and fell asleep.

  They'd been traveling slowly, taking time to let Molly's horse heal, but once its hoof was all right we galloped most of the rest of the way. Those horses of theirs didn't look magic or special, but they could run for hours without getting tired, and when I helped to rub them down and curry them, they were hardly sweating. They slept on their sides, like people, not standing up, the way our horses do.

  Even so, it took us three full days to reach King Lir. Molly said he had bad memories of the castle that fell down, so that was why this one was as far from the sea as he could make it, and as different from the old one. It was on a hill, so the king could see anyone coming along the road, but there wasn't a moat, and there weren't any guards in armor, and there was only one banner on the walls. It was blue, with a picture of a white unicorn on it. Nothing else.

  I was disappointed. I tried not to show it, but Molly saw. “You wanted a fortress,” she said to me gently. “You were expecting dark stone towers, flags and cannons and knights, trumpeters blowing from the battlements. I'm sorry. It being your first castle, and all."

  "No, it's a pretty castle,” I said. And it was pretty, sitting peacefully on its hilltop in the sunlight, surrounded by all those wildflowers. There was a marketplace, I could see now, and there were huts like ours snugged up against the castle walls, so that the people could come inside for protection, if they needed to. I said, “Just looking at it, you can see that the king is a nice man."

  Molly was looking at me with her head a little bit to one side. She said, “He is a hero, Sooz. Remember that, whatever else you see, whatever you think. Lir is a hero."

  "Well, I know that,” I said. “I'm sure he'll help me. I am."

  But I wasn't. The moment I saw that nice, friendly castle, I wasn't a bit sure.

  We didn't have any trouble getting in. The gate simply opened when Schmendrick knocked once, and he and Molly and I walked in through the market, where people were selling all kinds of fruits and vegetables, pots and pans and clothing and so on, the way they do in our village. They all called to us to come over to their barrows and buy things, but nobody tried to stop us going into the castle. There were two men at the two great doors, and they did ask us our names and why we wanted to see King Lir. The moment Schmendrick told them his name, they stepped back quickly and let us by, so I began to think that maybe he actually was a great magician, even if I never saw him do anything but little tricks and little songs. The men didn't offer to take him to the king, and he didn't ask.

  Molly was right. I was expecting the castle to be all cold and shadowy, with queens looking sideways at us, and big men clanking by in armor. But the halls we followed Schmendrick through were full of sunlight from long, high windows, and the people we saw mostly nodded and smiled at us. We passed a stone stair curling up out of sight, and I was sure that the king must live at the top, but Schmendrick never looked at it. He led us straight through the great hall—they had a fireplace big enough to roast three cows!—and on past the kitchens and the scullery and the laundry, to a room under another stair. That was dark. You wouldn't have found it unless you knew where to look. Schmendrick didn't knock at that door, and he didn't say anything magic to make it open. He just stood outside and waited, and by and by it rattled open, and we went in.

  The king was in there. All by himself, the king was in there.

  He was sitting on an ordinary wooden chair, not a throne. It was a really small room, the same size as my mother's weaving room, so maybe that's why he looked so big. He was as tall as Schmendrick, but he seemed so much wider. I was ready for him to have a long beard, spreading out all across his chest, but he only had a short one, like my father, except white. He wore a red and gold mantle, and there was a real golden crown on his white head, not much bigger than the wreaths we put on our champion rams at the end of the year. He had a kind face, with a big old nose, and big blue eyes, like a little boy. But his eyes were so tired and heavy, I didn't know how he kept them open. Sometimes he didn't. There was nobody else in the litt
le room, and he peered at the three of us as though he knew he knew us, but not why. He tried to smile.

  Schmendrick said very gently, “Majesty, it is Schmendrick and Molly, Molly Grue.” The king blinked at him.

  "Molly with the cat,” Molly whispered. “You remember the cat, Lir."

  "Yes,” the king said. It seemed to take him forever to speak that one word. “The cat, yes, of course.” But he didn't say anything after that, and we stood there and stood there, and the king kept smiling at something I couldn't see.

  Schmendrick said to Molly, “She used to forget herself like that.” His voice had changed, the same way it changed when he was talking about the way the land used to be. He said, “And then you would always remind her that she was a unicorn."

  And the king changed too then. All at once his eyes were clear and shining with feeling, like Molly's eyes, and he saw us for the first time. He said softly, “Oh, my friends!” and he stood up and came to us and put his arms around Schmendrick and Molly. And I saw that he had been a hero, and that he was still a hero, and I began to think it might be all right, after all. Maybe it was really going to be all right.

  "And who may this princess be?” he asked, looking straight at me. He had the proper voice for a king, deep and strong, but not frightening, not mean. I tried to tell him my name, but I couldn't make a sound, so he actually knelt on one knee in front of me, and he took my hand. He said, “I have often been of some use to princesses in distress. Command me."

  "I'm not a princess, I'm Sooz,” I said, “and I'm from a village you wouldn't even know, and there's a griffin eating the children.” It all tumbled out like that, in one breath, but he didn't laugh or look at me any differently. What he did was ask me the name of my village, and I told him, and he said, “But indeed I know it, madam. I have been there. And now I will have the pleasure of returning."